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December 19, 2024Your Fault 2024 Full Movie Watch Subtitles
December 19, 2024
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David Kaplan: Bathroom
Story
Mismatched cousins reunite for a trip to Poland to honor their beloved grandmother, but their old tensions resurface against the backdrop of their family history. When Benji and David visit their grandmother’s house in Poland, Jesse Eisenberg is there. 39 years old real-life ancestors settled in the diaspora. Benji Kaplan: We’re moving, staying light, staying agile.David Kaplan: Yeah. Benji Kaplan: The conductor will come to take the tickets, we tell him we’re going to the bathroom. Benji Kaplan: He gets on the back of the train and starts moving forward, looking for stragglers.David Kaplan: Excuse me, are we stragglers?Benji Kaplan: Yeah. When he gets ahead, the train will be at the station and we will be free to go home.
This is our country
David Kaplan: This is so stupid. Tickets are probably like twelve dollars. Benji Kaplan: That’s the principle of the thing. We should not have to pay for train tickets in Poland. David Kaplan: No it wasn’t, it was our country. They kicked us out because they thought we were cheap. Featured on CBS News Sunday Morning: Episode #46.44 (2024).
3 in F major Written by Frederic Chopin Performed by Tzvi Erez
12 Etudes, Op. 25, no. Jesse Eisenberg’s second effort as a writer and director is something unusual. TRUE Pain has something in its DNA from Richard Linklater’s BEFORE trilogy, and the recognizable legacy of Michael Winterbottom’s TRIP series is also visible. Wandering pacing, bleak cinematography that invites you to look beneath the surface of tourist images, dialogue that meanders through an unpretentious and unstructured unpacking of the meaning of life, a complete absence of any “bad guys”. the almost complete absence of any overt conflict, the faintest hint of any plot-directing goal beyond the completion of a simple route… True Pain shares all of these realistic qualities with those earlier, more energetic, life-affirming films.
But somehowit doesn’t quite work
I don’t know whose fault it was that I never got into this movie. I think a big part of it has to do with all the supporting characters (i.e. everyone except the cousins played by Eisenberg and Kieran Culkin). Will Sharpe’s non-Jewish tour guide, a Rwandan convert, an old couple, a sexy divorcee… the characters are very plain, very ordinary, very boring. The actors who play them are great, but they aren’t given much to do, making them seem unnatural and lifeless, more like scenery than people. Eisenberg knows how to direct the camera, I think; he knows how to put in the right cinematic elements.
But maybe he doesn’t know how to direct actors, or maybe he just doesn’t know how to write characters
There’s never any indication that these people exist beyond the moments we see them, which could perhaps be solved with more spontaneous improvisation on the part of the actors. Eisenberg and especially Culkin are better in this regard, but there is still something quite strained and "written" about a lot of what they say and do. Eisenberg’s “workaholic salesman with OCD”; is essentially one-dimensional, and the few times his character is expanded beyond that facade feels more like forced acting than any real glimpse into something deeper. Culkin is awesome – maybe a glimpse of his successor character if Roman Roy actually cared about people, but I think that’s just a credit to Culkin’s talent; he somehow manages to go beyond what he’s been given to work with. It’s a good independent film with a few good laughs, a couple of interesting ideas, a memorable trip to Poland, and a solid performance from Culkin.